Not only will your die-hard fans get something truly special, but you also made some extra cash to keep the band on the road. A great example of a VIP bundle/experience is when a fan can gain early access to your soundcheck, signed limited-edition gear, early album listening parties, meet and greets or even music lessons from the band. While I’m a firm believer that fans shouldn’t have to pay to talk to their favorite bands, I also understand fans wanting to buy a special VIP experience. Once you tour consistently and start to develop some seriously die-hard fans, you might want to consider offering a VIP bundle at your shows. The margins between the two are close, but the point is you made additional revenue. That’s a 3,000-percent markup, making you a $2.90 profit. A sticker costs roughly 10 cents to manufacture and sells for $3 at your merch booth. This means you made $5 from one transaction. That’s a 100-percent markup for your product. Think about it like this: The cost to print a shirt is around $5 (rough example) and your shirt is selling for $10. something as simple as a sticker or signed poster. You would be surprised how much money you make in the long-term for something you didn’t even think of selling, i.e. With any growing band, you need to track what people actually want to buy because let’s face it, not everyone likes wearing band shirts every day. Dad hats, stickers, posters, keychains - I can continue forever. How cool would it to be to be recognized as writing “that song from Sharknado 18”?īefore trolling me on how obvious this answer is, I would like to point out how this segment is titled “Merch” and not “A few shirts and a CD.” While most bands get basic merchandise (shirts, CDs), others have tapped into their full merch potential, raising considerably more funding. If you're lucky enough with a sync offer, it might even launch your single into notoriety (think theme song to a TV show). If they land you something, they take a percentage, and the rest is yours. So Google “sync services.” A lot of great companies exist (like A&G Sync and ThinkSync Music) that strictly shop your music to potential advertising opportunities. I also have had many artists receive a substantial amount of money just to use their songs in video games. At one point, I had an artist offered $50K simply to use their song about “being happy” in a Pepsi ad for one year. This, I promise you, is a very great way to gain some additional funds for your band. So think outside the box when it comes to sponsorships! Most companies have money for advertising they just need an idea presented to them (just send them an email proposal).Įvery time I talk to a band about sync, they ask, “Like *NSYNC?” and I say, “What is an *NSYNC?” Sync is when a video or company effectively pays you to use one of your songs in a commercial or other media. Many companies are willing to pay in currency or services simply to advertise to your younger demographic (fans). How helpful is that? Or, another band got paid just to place an energy drink in the background of their music video. Any city they toured through, they would make a call and get a free hotel room. A perfect example is my friends who are sponsored by Motel 6. Instead of going after the same sponsorships everyone is, look for alternatives. We get it-it sounds cool! What’s much cooler, though, is getting free equipment or actual money to help your band continue to grow. What they often don’t disclose is their sponsorship only really means a slight discount on already over-inflated equipment (depending on your level of sponsorship). It's super cool.If you are an unsigned band, you often hear people boasting about a sponsorship from. It does stuff that I wouldn't dream of using, but it builds bass lines based on the drum track, OR the piano track. I bit the bullet and bought the new EzBass plugin from toontrack and so far, I'm realllly impressed. BIAB is designed to fit that niche, it just gives me a headache working with it. It's much much simpler and easy to get going, but the MIDI performances will leave you wanting more. It HAS gotten better, and they do update the PC windows version every year, but the macOS development has either slowed down or halted entirely.įor jazz practice I MUCH prefer iRealB for the ipad/iphone. The complexity comes with the interface which is needlessly complex, and from the "real tracks" which if you buy one of the bundles is a literal hard drive filled with performances. Every other app has these (iRealB which I mentioned above also has this). I believe there are "real book" presets for all the usual standards. In BIAB? If you stick to just writing the changes on the "timeline" it's fine.
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